{"id":65457,"date":"2017-09-30T14:40:18","date_gmt":"2017-09-30T14:40:18","guid":{"rendered":"https:\/\/www.rosaantuna.com.br\/?post_type=portfolio&p=65457"},"modified":"2018-02-15T23:39:14","modified_gmt":"2018-02-15T23:39:14","slug":"english-mulher-selvagem","status":"publish","type":"portfolio","link":"https:\/\/www.rosaantuna.com.br\/en\/portfolio\/english-mulher-selvagem\/","title":{"rendered":"Wild Woman"},"content":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/1″][vc_column_text]The solo created, directed, and performed by Rosa Antu\u00f1a, premiered in 2010, and has since been circulating throughout the country having been presented at festivals such as the 1,2 DANCE (Belo Horizonte, MG), MOVE Festival (Manaus, AM), International Theatre Festival (Golden, MS), Aldeia SESC Pelourinho (Salvador, BA), Diversity in Dance (Vi\u00e7osa, MG), Klauss Vianna (Belo Horizonte, MG), International Dance Forum (S\u00e3o Jos\u00e9 do Rio Preto, SP), among others.
\nDance, music, theater and poetry are the resources used to express the theme of “Wild Woman”, which is nothing more than a woman in her natural state, creative, free, feminine, confident and full. This solo, as well as the book seeks to remind us to stick to our instincts and allow our inner wolf to always be present, protecting and guiding us on our path.
\nIn “Women Who Run With the Wolves,” a book by Clarissa Pinkola Estes*, the term wild woman is used to describe woman in their truest sense directly related to their feminine essence; a free woman that exists within every woman. This free woman is one who creates, paints, sings, composes, cooks, sews, writes, dances, represents, is… The wild woman is the very strength of women, with lightness, completeness and consistency.
\nThough it might be hard to believe, this is not so simple in practice. Due to our social and cultural history, the wild woman has been beaten, repressed, and condemned into wandering through dark forests or arid deserts full of wild beasts. Unfortunately, often times this metaphor has been literal.
\nToday, women who have lost contact with their wild woman are bitter, haggard, mannish, confused, and frustrated… She is a woman without a sense of \u201cI\u201c. Canceled. She lives roles. Lives in function for others, but never in the terms for herself. And while she runs from one side to the other, her female becomes a female grim. Her wild woman screams for help and does anything to get peoples attention.
\nA woman who loses her wild instinct loses the vitality of life. Self-sabotage, fear, constant conflict, jealousy, loss of self-esteem, emotional dependency, are just some of the problems that arise when women lose contact with the wolf inside them.<\/p>\n

\u201cI had a strong reaction after reading \u201cWomen Who Run With the Wolves\u201d. After completing this book I felt a calling to create something with the theme \u201cwild woman\u201d.
\nThe creation of this solo, which contains dance, poetry, theater and music, is the creative manifestation of a woman in search of running with the wolves.\u201d<\/p>\n

Rosa Antu\u00f1a<\/strong><\/p>\n

*Dr. Clarissa Pinkola Est\u00e9s, the book’s author, is a researcher and storyteller. She tackles this subject through fairy tales and stories of ancient people and tribes. She makes a deep analysis on the archetypes, metaphors, characters contained in these tales and reveals the hidden wisdom of the importance of feeding the wild woman inside each and every woman.<\/em>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”50″ medium_width=”0″ mobile_width=”0″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ width=”1\/1″][vc_gallery el_id=”gallery-157679″ medias=”65497,65498,65499,65500,65501,65502,65503,65504,65505,65506″ gutter_size=”1″ screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_width=”3″ images_size=”one-one” single_overlay_color=”accent” single_overlay_opacity=”75″ single_padding=”2″ single_icon=”fa fa-plus” lbox_caption=”yes”][\/vc_column_inner][\/vc_row_inner][vc_tabs][vc_tab title=”Ficha T\u00e9cnica” tab_id=”1507074966-2-531513868973405″][vc_column_text]TRABALHO INSPIRADO NO LIVRO \u201cMULHERES QUE CORREM COM OS LOBOS\u201d, DE CLARISSA PINKOLA EST\u00c9S<\/p>\n

Dire\u00e7\u00e3o, coreografia, textos e atua\u00e7\u00e3o: Rosa Antu\u00f1a
\nFigurino: Rosa Antu\u00f1a
\nCen\u00e1rio: M\u00e1rio Nascimento
\nCria\u00e7\u00e3o de lu : M\u00e1rio Nascimento
\nTrilha sonora (compila\u00e7\u00e3o): Rosa Antu\u00f1a
\nEdi\u00e7\u00e3o de \u00c1udio: Eduardo Borges<\/p>\n

Produ\u00e7\u00e3o: Cia MN e Herivelto Campos
\nApoio: Studio It, St\u00fadio Pilates Andrea Mour\u00e3o
\nAgradecimento: M\u00e1rio Nascimento, Elaine Reis, Andrea Mour\u00e3o, Duda Las Casas, Eduardo Borges
\n[\/vc_column_text][\/vc_tab][vc_tab title=”Apresenta\u00e7\u00f5es” tab_id=”1507128832286-2-01513868973405″][vc_column_text]2017<\/strong>
\n\u2022 26 de outubro e 2 de novembro \u2013 Caixa Cultural \u2013 Recife, PE<\/p>\n

2015<\/strong>
\n\u2022 22 de abril \u2013 Teatro da Caixa – Bras\u00edlia, DF<\/p>\n

2013<\/strong>
\n\u2022 9 de junho – Circuito Cultural Ribeira SESC – Casa da Ribeira – Natal, RN
\n\u2022 24 de maio – Conex\u00e3o Cacilda – Teatro Cacilda Becker – Rio de Janeiro, RJ
\n\u2022 1, 2 e 3 de fevereiro – Campanha de Populariza\u00e7\u00e3o do Teatro e da Dan\u00e7a – Espa\u00e7o Multiuso do SESC Palladium – Belo Horizonte, MG<\/p>\n

2012<\/strong>
\n\u2022 16 de novembro – PALCO GIRAT\u00d3RIO – Aldeia SESC Pelourinho – Salvador, BA
\n\u2022 1 de setembro – Abertura do IV Festival Internacional de Teatro – Dourados, MS
\n\u2022 28 de junho – I Diversidade em Dan\u00e7a – Vi\u00e7osa, MG<\/p>\n

2011<\/strong>
\n\u2022 24 de julho – 13\u00b0 PE\u00c7A BIS – Teatro Alterosa – Belo Horizonte, MG
\n\u2022 9 de junho – II MOVA-SE FESTIVAL DE DAN\u00c7A – Solos, Duos e Trios – Teatro da Instala\u00e7\u00e3o – Manaus, AM
\n\u2022 1 \u00b0 de maio – Mostra de Dan\u00e7a Klauss Vianna – Teatro do Corpo – Belo Horizonte, MG
\n\u2022 8 de abril – Forum Internacional de Dan\u00e7a de S\u00e3o Jos\u00e9 do Rio Preto – TEATRO DO SESC – S\u00e3o Jos\u00e9 do Rio Preto, SP<\/p>\n

2010<\/strong>
\n\u2022 28 e 29 de outubro – Teatro Alterosa – Belo Horizonte, MG
\n\u2022 16 de setembro – 1,2 NA DAN\u00c7A – Teatro Alterosa – Belo Horizonte, MG
\n\u2022 25 de junho – Estreia Nacional – SESC Ribeir\u00e3o Preto – Ribeir\u00e3o Preto, SP[\/vc_column_text][\/vc_tab][\/vc_tabs][vc_tab title=”Ficha T\u00e9cnica” tab_id=”1507074966-2-53″][vc_column_text]Concept and Performance: Rosa Antu\u00f1a
\nDirector: Roberta Carreri
\nCostume: Rosa Antu\u00f1a
\nMusic Compilation: Rosa Antu\u00f1a
\nLighting Designer and Technician: Sidney Hon\u00f3rio
\nPhotography and Video: Duda Las Casas and Marco Aur\u00e9lio Prates
\nEnglish Translation: Alicia-Lynn Castro
\nPress Administrator: Duda Las Casas
\nProduction: Mario Nascimento Dance Company and Herivelto Campos
\nSupport: Studio It, Andrea Mour\u00e3o\u2019s Pilates Studio
\nAcknowledgement: M\u00e1rio Nascimento, Elaine Reis, Andrea Mour\u00e3o[\/vc_column_text][\/vc_tab][vc_tab title=”Ficha T\u00e9cnica” tab_id=”1507074966-2-53″][vc_column_text]Concept and Performance: Rosa Antu\u00f1a
\nDirector: Roberta Carreri
\nCostume: Rosa Antu\u00f1a
\nMusic Compilation: Rosa Antu\u00f1a
\nLighting Designer and Technician: Sidney Hon\u00f3rio
\nPhotography and Video: Duda Las Casas and Marco Aur\u00e9lio Prates
\nEnglish Translation: Alicia-Lynn Castro
\nPress Administrator: Duda Las Casas
\nProduction: Mario Nascimento Dance Company and Herivelto Campos
\nSupport: Studio It, Andrea Mour\u00e3o\u2019s Pilates Studio
\nAcknowledgement: M\u00e1rio Nascimento, Elaine Reis, Andrea Mour\u00e3o[\/vc_column_text][\/vc_tab][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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